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工笔牡丹小品《娇露》绘画规范本作品牡丹用色必须要很淡，屡次上色才调达到后果，切不行重色敷衍唐塞。

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第一步：勾线，先用重墨勾出叶子的大概括和主叶筋。用很细的线条勾出叶子的小叶筋。用很淡很细的线勾出牡丹花头。

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第二步：铺大色调，三绿加藤黄加朱磦刷底色。三绿加藤黄平涂叶子。曙红分染花头周边。藤黄平涂蜜蜂腹部。

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第三步：叶子及花瓣分档次，花青分叶子档次，提神叶子之间的压盖联系。曙红分花瓣档次，可从花瓣根部初始染。初步档次分好后，曙红统染花头暗部。

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第四步：细化花头、叶子，藤黄罩染上层叶子，曙红不竭细化花头，提神虚化的花头和小花苞也要画。环境色分染花头边际花瓣，以此进展花瓣透明感，相近什么环境色就用什么口头。曙红提染叶尖。

第五步：进一步细化花头、叶子，淡墨分叶子档次，花青分染底层被压盖的叶子。曙红不竭细化花头。曙红加胭脂加深花瓣根部及压盖处。

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第六步：调遣，曙红统染花头，钛白提染花头，画蜜蜂、水珠。终末举座整理，完成。

二

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龚雪青 工笔牡丹《轻纱漫天》绘画规范

第一步：

白描勾线：花头用赭墨色，叶子用墨青色。提神远方的花瓣或叶子用色较淡，以虚实营造出画面的透气感。

（为便捷不雅赏，此处均用重墨印出）

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第二步：

花头、花蕾：湿染白粉，然后用大红色统染。叶子：绿色叶子先用草绿统染，然后用墨青色分染，分染时提神叶片边际留白；紫红色叶子用红加花青调紫红色统染。布景：用藤黄烘染画面右上方，然后用紫色在画面左上及右下方接染，使画面颜色更丰富。

第三步：

花头用大红色，叶子用墨青色或紫红色，在上一步的基础上不竭深化描述，提神要近实远虚。

第四步：

花头：正瓣用稍浓一丝的大红不竭深化描摹，适技能染花瓣肌理，然后用大红加小数花青统染暗部花瓣，同期分染暗部肌理；反瓣用淡红色分染肌 理。

叶子：用稍浓的墨青色或紫红色不竭深化描述，分染与统染轮流进行，提神后方叶子与前线叶子相交处要虚下去，描述出透气感。

第五步：

花蕊：秉承双钩画法，先用藤黄加小数红色掏染暗部间隙，然后用白粉加藤黄分染近处花蕊，远方花蕊平直立粉，再点染近处不富有的花蕊。终末用原浓度的白粉提染前线的花蕊。花头及花蕾：反瓣用中等浓度的白粉提染受光处，正瓣用白粉点染亮处，提神正瓣用色面积要小。花蕾用白粉合适点出肌理。

叶子及花苞：绿色叶子及花苞反面用酞青蓝加藤黄调草绿罩染，可将口头算作环境色染至花头及布景， 提神远方叶子用色较淡。然后用三绿加白粉和藤黄调六绿，提染枝梗 、花苞，在此基础上再加藤黄与白粉，提染反叶及正叶受光处。布景 :画面左上方及花头右下方的布景用紫色与黄色接染，可将余色染至花瓣，提神不染花苞。

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第六步：

资源利用

枯叶用朱磦加墨点染边际，提神留出水线。同期，用此色略微分染紫色叶子、提染暗处枝梗，点到狂妄。然后用白粉勾出前线部分叶子及花苞边际的 水线，提神用线要纯真，进展出叶子的厚度和光感。终末用胭脂给近处叶子醒线。举座调遣后，题字、铃印，完成。

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